Tag Archive for 'neve mixer'

klangenschmitt mixer in new york

brooklyn14

“”  GREG.  Seriously, what the hell?!  This thing sounds amazing. So fat, silky, smooth, and versatile. She’s all routed in and just sounding freaking sweet.  Every channel rings clear and gorgeous.  So many options now. Like so many. The gain on these channels is endearing.  You seriously blew right past my hopes and dreams on this one. Nice job.
I’ll keep the updates coming.  – Christian

 

new klangenschmitt brooklyn model

brooklyn12

klangenschmitt  brooklyn model . 18 channel console . all fat neever  transistor amplifiers (40 of the little buggers!) . includes two mic amps – 4 stereo inputs – 3 system output monitor controller – master and channel inserts – 12 channel direct outputs. and each channel has it’s own separate fx send. to facilitate a ‘normal’ fx bus there’s a four input fx mixer with an inphase /outphase  bus output – for some extra freaking signal processing.

new building alfredo mixing desk

alfredo2

 

been working on this  klangenschmitt alfredo console for a crazy cool jazz musician from wellington. after several months exhaustive designing and planning.  today i got the first two channels completely going and sounding really beautiful. these channels are all tube mic/di/line/two way eq/pultec MB1 line output – preamps.    with neever transistor console mixer stage amps. thick – warm  -  hot in fact . clear and FAT!. this  console is 8 mono channels and 8 stereo channels. 3 stereo buses including stereo AFL complete control room. 4 auxiliary sends per channel -  pre/post fader.  bloody hell a lot of wiring yet to do.

 

new ekadek neever fenkner brenda

victor fresh

fresh fenkner brenda. 4 channels fat  2 stage transistor mic/di/line neever amplifiers. onboard  insert-able germanium stages.tricky switchey fenkner control room listen machine . simple stereo brenda monitor mixer –  clean clear headphone amp.  all transistor  – no chips.

ekadek neever fenkner brenda

ekadek neever fenkner brenda

 

just in time for christmas.  3250  nz$ ono.

** twin’ neever’ mic/direct/line amplifiers.

**control room section.

**selects to listen to mics  / lines E1/ E2 / E3 or blenda circuit.

** line output selection for three monitor speaker pairs.**stereo / reverse stereo / mono/ left-right solo.

**phaze test function – switches one channel out of phase .. and then with mono selection as well … will monitor the difference between left and right channels. useful for mastering.

**blenda function – mixes E1 (computer monitor return) and mic amp channels to allow zero latency ‘alive’ overdubbing.

**phones amplifier – monitor the listen selection or the blenda mix. all 1970′s transistor amplifiers. fat and clear – miles of headroom. low low self noise. built expertly into the character 1960′s tolex covered plywood cabinet.

klangenschmitt spitfire

klangen

klangen

ekadek klangenschmitt spitfire console design.10 channel transistor mixer with stereo bus and echo bus.
stereo valve eq. stereo varimu tube limiter  stereo tube mix bus amplifier. 4 stereo returns. control room section has 3 speaker amp outputs – headphone send selection and volume , talkback function. an onboard p.a small fat hifi speaker is on board also. and big meters. 23000nz$ ballpark.

 

cambridge electronic workshop console

cam6

cam5

rebuilding this cambridge electronic workshop console.
it will be 14 channels into 2 stereo mixes with 2 pre/post aux sends. there is talkback facility to aux 1. there is a small speaker p.a amp on board. there is a complete control section. her he is all taken apart with new and old circuit boards arranged onto mothers – almost all ready to be reassembled and wired . next weeks task.
i rescued this desk in melbourne about 1996 from the infamous RAY EMERY – he was a sound guy of years and years who had a house in the sticks piled high with old tech of all sorts. he was an awesome guy who was very generous with parts and infos and rum. the other desk i could afford at the time was a mackie style . i hated those measley thin heaps with zero headroom and bad eq. i.e no fun.

so i bort the cambridge and a heap of other bits off ray and slowly remade it work and have used it ever since in my studios.

the cambridge is all transistor from around 1975. just before chip amps became normal to use in consoles . i.e the burying the good clean audio signal with multiple multiple stages of chips each with a gazzillion transistors each. those cheap mass produced consoles are major electronic bullshit.
ive never found anyone who has ever heard of the cambridge audio workshop. so this must have been a prototype – originally designed to be a special functional theatre console.
the cambridge transistor operational amps are very neve ish .. 1070 thru 1080 like. the similarity is bonkers. they utilise different sex power supplies and opposite polarity bi polar transistors .. and yet they can live on the same circuit board. it’s a mystery wraped in enigma

cam11

cam12

 

neever city

neever8>

here’s a  layout  before i drill and stamp a panel.  8 channels in 3 rack units with a headphone monitoring function. the mic amps are 3 stage neevers. the first stage is two controlled amps in series. so – given a soft instrument requiring a big gain – there’s a mile of fat juicey level with low low background noise and low low distortion.. loads of headroom.  tested this neever design against other high end mic amps and reckon this one sounded the best. the most real and clear and lifelike.

 

rolaphon mixer box

rolaphon8

rolaphon9

stereo recording mixer build.  8 mono channel input – two further stereo inputs.  pair of mike  amps and a pair of germainium preamplifiers .  two fx sends per channel with individual go switches for extra play-ability.  a pair of mono subgroups and a stereo mix bus of course. a full control room section enables complete studio and mixer monitoring . and processor insert abilities over all the inputs and outputs conveniently arranged in one row of top panel socketry . this ‘ rolaphon ‘  contains 38 transistor neve-ish amps and will fits  into an  old ROLA 66 tape recorder cabinet. the rolaphon opens up like a chest. plenty of expensive goodies in there.

neevertron

neevatron1

neever535

ekadek neevatron. here’s a drawing for a new six channel microphone.direct amplifier .
the guts of it is three of the last (in the world) five NEVE B535 dual line output amplifiers – n.o.s original right out of  the 1970s – another world.

the neevertron features real simple functionality.  mic pad – phantom power – phase changer -  fantastic clear sound.
there is a negative feedback stage gain adjusting control which allows to set how hard the preamp works on the input signal.
the output signal volume control  chooses off a good proportion of that and feeds the totally juicey B535 line output amp.
an uber fat lo lo Z isolated balanced output is fresh made.

thornophon 8 – 2 mixer

thorn13

 

 thornophon mixer build 

 8 channel stereo mixer.
line level input  with fader.go.pan.
+      echo send
+     4 other stereo inputs

- also a single neever microphone/di  recording amplifier.

- also  a 5 stereo input control room monitor section with stereo.reverse.mono.left solo.right solo.speaker a.b.c.

all up a pretty powerful tool made to last .with all   transistor amplifiers for maximum fatness with minimum puss. a big clean sound. and  in a beaut portable cabinet. it’s made to be configured as a studio mixer and controller. to receive and mix a sound card’s multi-track outputs,  and mix  into a perfect new stereo thing.

it’s a smart little bug!r .   can listen to and switch compare all the musical stereo sound outputs u know u need to.

select  the  MIX output OR external stereo inputs (sound card monitor outputs) E1 & E2,  OR  check/listen to the neever mic amp or the echo send.  throw the sound around to check stereo – reverse- mono. left right solo. and then control 3 pairs of monitoring speakers in a studio.

manual mixing with a panel of sliders and pans  is the best method to balance a mixture of sounds. when u can move two or three faders at ONE time .. u can find , and then fine tune resonances in the harmonic structures of the sounds. extracting more peaks and valleys. adding life.  finding those parts gets to the spark between the instruments. the distance between things locks in and the depth expands.

a computer mouse  can  move one fader or click one button at a time. what the hell use is that?  ok . so  u have a computer fader panels.. good choice.  ..but then ur still just inside the box.  

so further more  i reckon the mixing  sounds better done outside in a real amplifier  mixer with faders , and outboard special fx and  maybe even a room mic. give a poor computer smacked up thing more oomph -  driven  energy.

 

 

roger eq off to big smoke

off to the big smoke tomorrow . this new roger 3 ways very  flash all transistor dual channel eq. features
neve 1081 style 5 frequency high  and  low frequency control stages.  very  fat and sharp . for a deep deep sound. teamed with a freaked out sweeping midrange stage. boost or cut   200hz – 6Khz he has double series band pass filters for a  tightest Q potential. with  selectable band pass gain effects .
1.  normal      NICE and clean
2.  sharper q     Q.TIGHT
3.  turbo sharp     INSANE
hook this baby to a mad playable keyboard and a echo box and u could have a mother of a synthesizer sound. learn to play it like one thing and freaking shit. thats a real  human electric direct sound! right there. one take.  the circuit board  contains cards of electronics arranged as two in line channels. left to right . treble – midrange – bass – output. each stage contains perfectly simple fat A-class inverting amplifiers made of just four transistors. no chips. plus.  quite a bit of  specified frequency selective boosting cutting circuitry is in there on the mother too. . it’s the prototype to a unit that can make a few of. or maybe a more largess thing  for DJs .. that item would need preset-able fitments and lets make it  xfade-able thru a delay effect loop. to create some very far out transitions. the all transistor circuits make it clear and fat and low low noises with richness and real balls.

cat visconti arriving

the cat visconti channel is almost gasp. complete.  just waiting now for a final bit of metal worked rear ass covering solution . sounding perfect . it’s made to be a best quality mono recording channel with mic/di/line stages and 4 way eq and filters with processor insertabilty. the output of that can mix (or not) with two stereo line inputs. the listenator function runs either the alone channel or the mixture of the alone channel with the stereo inputs -  into one of two selected pairs of speakers.  alla fenkner functionality.

spooning catvisconti trident totally ekadeked

mind altering breakaway holiday? no freaking way.  the wiring is set and a power supply is made and its been running perfectly hot! . after sorting a couple of easy sorted  errs.  (its kind of difficult thing to photograph cos it lies on it’s side.  spooning).  really does work well tho. set  to try it out in karaoke session with the family over next few days. the mic amp sound is so fat and quiet with  mountain ranges of gain. the eq with its new backwards and flipped out order is richer and precise and more equalizer power full. …..    and YEP  i have indeed made a most awesome karoke mixer . hooked up my old grampian  spring reverb to the cats fx send and return, and wow. so good. theres at least a couple of jammed albums in this rig .

inside the cat visconti

the cat visconti gogo prototype channel is completely rocking. but it looks a bit strange.  it is just the  test bed of amps so far. even with its all unshielded looopey connecting wires and floating switches,  the sound is crystal clear and clean of noises or interferences.  the trident tsm 4 way -with filters eq  design is turned backwards and inside out.  now the H.F  has new mojo from coming first on top.  the L.F needed  utter lobotomy. the old chip band pass sweeping eq is changed out for a simple tough and tight 5 freq shelf eq. (neve 1080)  much better bass control with no lumps.

the  all transistor channel amplifiers are on this motherboard along with the jensen input and output trafos (ex of other parts of the trident console) . theres two gain controlled amps in series as the mic/line amp.  the series gain controlled preamps push the signal so long far forward with no noise – effortless big gain.  and then a fader and  post fader amp. theres also  an amp for the extra input section to feed the extra stereo output buss. so many extras. and then one other dual amp board that creates an isolated clean monitor send for a headphones system and a meter feeder..to . ah. feed the meter. the other mother  (r.h)- board is a stereo twin inverting stage buss amp and control room amps and stereo line buffer amps  designed to be a recording and monitoring unit for andrew’s loungeroom desktop computer set up. more pictures to come.

one pretty new mother

this custom motherboard has enough muscle and brains to activate 8 input channels and pick up 2 stereo busses and make some vu meters move to the music. its made from our neever all transistor operational amplifiers.this mother is the amplifying mind of the small mixer build on the bench this week getting loomed up ready for chassis insertion. i’m letter stamping a drilled up panel today while waiting for the last of the parts to arrive. the simple mixer design has 8 mono panorama abled channels and 2 further stereo inputs. the master gain is fine trim able and has a switchable external fx/eq/limiter inserting function. the mixer also has a bus interruptor function which splits the first 6 channels away to an alternate stereo buss amp which can be driven off to some other external processor,  and then  back to the main mix via one of the stereo inputs.

ten8tor gyrator 100% love

heres the word from mastering engineer and serato minion wrangler -  zebulon bult .

Hi Greg,
thanks for lending me the TEN8TOR, I got excellent results out of it & I really can’t praise this EQ enough, it sounds wonderful!
Here is some feedback from my experience with it.
EKADEK GYRATOR TEN8TOR
I used the EQ in two different ways, tracking mono & stereo drum sounds/instruments. I did this from an MPC 3000, into an Apogee Duet 2.
I also recorded several stereo mixes through the TEN8TOR, I did this from an Apogee Duet 1 into an RME FF800 & also from an RME ADI 8 into a FF800.
Tracking
The results I got from tracking the drums were good. It was easy to add presence to all sounds, even if subtractive EQ’ing was necessary in some circumstances. I found it noticeably worthwhile to just track through it without gaining or reducing any particular frequency range, because it added warmth & presence. The filters sound smooth & rich but also clean & open, very musical.
Mix Bus
The mixes I was recording were coming straight out of Logic 9 & in this workflow, it really shined. It became clear to me that this EQ was nothing less than mastering grade & it had a special character. I did not use it in conjunction with my summing mixer, pultec EQ or compressor/limiter. I went straight from a stereo D/A, into the EQ, then back into the A/D. I found I was very quick in finding a no compromise mix adjustment. The TEN8TOR can add a subtle brilliance to a good mix but it also has the ability to make a rough mix sound more punchy & defined, also polished, without the obvious issue of major compromise. It’s obviously not intended to be a transparent fix your mix tool, but was surprising ly good at dealing with less than satisfactory material. The best possible scenario for this EQ is obviously a flat, well mixed track that allows you room to push it. It was a pleasure to use the TEN8TOR & I would love to have one permanently in my studio.
Pro’s:
Sections & their parameters are well spaced out with plenty of room to move.
Top quality switches and pots, large knobs that feel great to use
Thick and warm tone that is musical all the way through it’s range.
Low noise, even with hi gain, especially when you take into account that it’s unbalanced.
Total bypass and band bypass
Peak and Shelf Equalization

Con’s:  (ekadek : fair enuff that zeb didnt like some stuff. thats ok . but its my blog so i’ll chime in  if i want.) The back panel lacks rigidity when connecting & removing cable jacks.  (fixed that.one screw – thanks for pointing that out :) Stepped pots for filters restrict the ability to make real time filter changes  (yes – the steps mite sound a bit odd. the special filter electronics are such fine tuned up resistor sets. u cant make a 6 gang pot that does the 6 different values and curves for under about a bazzillion $ each )  Unbalanced, more susceptible to noise.( transformer balanced is good . transformers just make it cost more) Low to Hi frequencies from right to left, this took a little while to get use too.  (fair enough – i like it that way tho -  when u turn it on its side, it becomes a perfect XXL extra huge large format console channelstrip . 4 – 8 – even 16 of these babies in a big desk. so cool and expensive. my fantastic console dream .  and it encourages/requires a different intell approach – method – style – what have you. its fresh. )

thanks zeb. the gyrator ten8tor has gotten 100% raving reviews so far. we are in love. theres just one left for sale now.  and we are  in prep  for a second limited run version two after christmas.

nathan haines. jazz at york street studios

it was nathan’s  jazz dream.  to make a great record in one  weekend.   wild jazz quartet music recorded thoroughly old jazz school. big fat nuemann mikes all up the place. single mike on the drums. love that. fat 3/4 bass. stinking big steinway concert grand for gods sake. and sax. just … such a good sound. so expansive and expensive. recorded live mixed on york streets  neve direct to my ampex 300/351  1/2″ stereo tape deck .   the 300 was made to have a robot human stand in front of it pushing the buttons.  so i was tape op.  i didnt have a close monitor at all and have dreamt/drawn up this ultimate rebuild for my mr ampex. the massiveman.

anritsu electric company

this old pilot oscillator unit is useless. i got it from an auction with some other treasure and boat anchors.  it’s perfect for a mixer. 8 channels. volume. pan. mute.  the neve b535 board will be the pick up amp. its going to be  very simple. fat & clear. the all transistor neve boards are stunning. i’ll add a control room monitor section and  twin microphone/instrument preamp. quite  the complete juicy front and back end in one beaut box. the two upper photos are of a mock layout and of the new panel ready for clear coating.