Tag Archive for 'microphone amplifier'

new ekadek neever fenkner brenda

victor fresh

fresh fenkner brenda. 4 channels fat  2 stage transistor mic/di/line neever amplifiers. onboard  insert-able germanium stages.tricky switchey fenkner control room listen machine . simple stereo brenda monitor mixer –  clean clear headphone amp.  all transistor  – no chips.

ekadek neever fenkner brenda

ekadek neever fenkner brenda

 

just in time for christmas.  3250  nz$ ono.

** twin’ neever’ mic/direct/line amplifiers.

**control room section.

**selects to listen to mics  / lines E1/ E2 / E3 or blenda circuit.

** line output selection for three monitor speaker pairs.**stereo / reverse stereo / mono/ left-right solo.

**phaze test function – switches one channel out of phase .. and then with mono selection as well … will monitor the difference between left and right channels. useful for mastering.

**blenda function – mixes E1 (computer monitor return) and mic amp channels to allow zero latency ‘alive’ overdubbing.

**phones amplifier – monitor the listen selection or the blenda mix. all 1970′s transistor amplifiers. fat and clear – miles of headroom. low low self noise. built expertly into the character 1960′s tolex covered plywood cabinet.

neever city

neever8>

here’s a  layout  before i drill and stamp a panel.  8 channels in 3 rack units with a headphone monitoring function. the mic amps are 3 stage neevers. the first stage is two controlled amps in series. so – given a soft instrument requiring a big gain – there’s a mile of fat juicey level with low low background noise and low low distortion.. loads of headroom.  tested this neever design against other high end mic amps and reckon this one sounded the best. the most real and clear and lifelike.

 

rolaphon mixer box

rolaphon8

rolaphon9

stereo recording mixer build.  8 mono channel input – two further stereo inputs.  pair of mike  amps and a pair of germainium preamplifiers .  two fx sends per channel with individual go switches for extra play-ability.  a pair of mono subgroups and a stereo mix bus of course. a full control room section enables complete studio and mixer monitoring . and processor insert abilities over all the inputs and outputs conveniently arranged in one row of top panel socketry . this ‘ rolaphon ‘  contains 38 transistor neve-ish amps and will fits  into an  old ROLA 66 tape recorder cabinet. the rolaphon opens up like a chest. plenty of expensive goodies in there.

kaimaitron 4 channel amplifire

custom kaimaitron 4 channel  mic/instrument amplifier with internal /external source control room or headphone monitor section. built all of  transistor amps into a 1960s brown leatherete portable case . also features an insert-able   germanium amp stage which can be sweet or stinging.

nominee for ugliest amplifier in the world

so far the  MB1 amplifier (12ax7 & 6aq5) and the small speaker power output stage (6aq5) are built onto an ugly custom stripped out chassis. its chopped up  to  fit neatly into the lovely old skyqueen cabinet.  it sounds great even with it’s very temp/experimental control  wiring. just need to  drill and letter stamp up the panel, anodize it.. and finish the build. the ugly chassis looks like many  50′s european radios . those crazy germans made the ugliest most dangerous looking electronics   …placed  inside beautiful veneered plywood cabinets. u just dont see  that stuff being made anymore. if anything has curves -  safely assume it is moulded plastic.

two portable fattys

two quick builds this week.  small and fat. the akai-ish playback unit now has a line input suitable for ipod or computer plus a hi impedance input so u can jam along with a guitar, keyboard or hi z mike .  the  5 watt tube amp and 8 inch speaker has a lovely full clear sound, and can distort like a nasty bitch on demand. the lower box is a two channel all transistor mike/di amplifer  -  custom built into a beaut old phillips tape recorder box.

the killer rig

this stack of shiny junk is the killer rig  to kill all other so-called killer rigs.  fat as  pultec-ish MB1 stereo mike/di/line preamp. 4 tube chassis. the FAT LADY 5670 stereo limiting amplifier. 8 tube chassis. and the TEN8TOR GYRATOR stereo eq. about two bazillion transistor chassis. the most extreme channel strips you’re ever likely to see.  amazing sounding. so gutsy and so quiet!.  the sweet sweet clean fat MB1 valve preamp amping up . the totally sexy fat lady gain control freak limiting amplifier holding back . and the  sophisticated ten8tor gyrator equalizer being the ultra cool frequencies outputting amp with its devastating signal shaping powers.  i’ve been playing everything thru the killer rig last couple of days and am astounded at the improvement-of-everything-isation   power of it.

bbc neever microphone amplifier machine

BBC NEEVER 8  microphone amplifiing machine * 8 separate microphone amplifiers * all transistor two stage blocks* xlr inputs- individual switched 48v phantom – 12db mic pad – phase change – lundahl input transformers – neve 538 preamp stages with  feedback gain controls – channel volume level controls – BBC am7/11 output stages. floating balanced xlr outputs.

simple – tough – best quality – and a compact 2 RU size.  its been a while in the making this one , as  igor and I have been tied to commissioned builds. and our development work on the the new gyrator teneightor five stage equaliser

ekadek junk audio pimping

for years i been collecting old portable amplifier and tape recorder chassis. old radios/stereos and public address systems. even 19″ rack cabinets and other fancy cake tins. they all can make characterful cabinets for new things. ive mostly built pultec MB1 microphone/di amplifiers into them.

my latest one has a mic amp and beaut equaliser going on. meet rojer.

the eq design is from a peculiar old american hi fi amp. that eq idea coupled with a mic matching front end and a MB1 final amp makes for a tight three tube chassis. the sound of the entire thing is really strong and sweet. massively deep bass boost or cut. transparent top end boost and cut. and an extra hi frequency filter to smooth off any harshness. the bass and treble controls are very independant and the midrange is always rock solid right there. fat and true. so send a sound file of yours to test it.