Monthly Archive for September, 2013

neevertron

neevatron1

neever535

ekadek neevatron. here’s a drawing for a new six channel microphone.direct amplifier .
the guts of it is three of the last (in the world) five NEVE B535 dual line output amplifiers – n.o.s original right out of  the 1970s – another world.

the neevertron features real simple functionality.  mic pad – phantom power – phase changer -  fantastic clear sound.
there is a negative feedback stage gain adjusting control which allows to set how hard the preamp works on the input signal.
the output signal volume control  chooses off a good proportion of that and feeds the totally juicey B535 line output amp.
an uber fat lo lo Z isolated balanced output is fresh made.

thornophon 8 – 2 mixer

thorn13

 

 thornophon mixer build 

 8 channel stereo mixer.
line level input  with fader.go.pan.
+      echo send
+     4 other stereo inputs

- also a single neever microphone/di  recording amplifier.

- also  a 5 stereo input control room monitor section with stereo.reverse.mono.left solo.right solo.speaker a.b.c.

all up a pretty powerful tool made to last .with all   transistor amplifiers for maximum fatness with minimum puss. a big clean sound. and  in a beaut portable cabinet. it’s made to be configured as a studio mixer and controller. to receive and mix a sound card’s multi-track outputs,  and mix  into a perfect new stereo thing.

it’s a smart little bug!r .   can listen to and switch compare all the musical stereo sound outputs u know u need to.

select  the  MIX output OR external stereo inputs (sound card monitor outputs) E1 & E2,  OR  check/listen to the neever mic amp or the echo send.  throw the sound around to check stereo – reverse- mono. left right solo. and then control 3 pairs of monitoring speakers in a studio.

manual mixing with a panel of sliders and pans  is the best method to balance a mixture of sounds. when u can move two or three faders at ONE time .. u can find , and then fine tune resonances in the harmonic structures of the sounds. extracting more peaks and valleys. adding life.  finding those parts gets to the spark between the instruments. the distance between things locks in and the depth expands.

a computer mouse  can  move one fader or click one button at a time. what the hell use is that?  ok . so  u have a computer fader panels.. good choice.  ..but then ur still just inside the box.  

so further more  i reckon the mixing  sounds better done outside in a real amplifier  mixer with faders , and outboard special fx and  maybe even a room mic. give a poor computer smacked up thing more oomph -  driven  energy.